sovay: (Rotwang)
sovay ([personal profile] sovay) wrote2025-07-08 02:23 pm

'Cause they will run you down, down to the dark

Probably because it has been weeks since I slept more than a couple of hours a night and months since I had what would be medically termed a good night's sleep, I spent at least ten hours last night unconscious enough to dream and it was amazing. Under ideal circumstances I would devote my afternoon to reading on the front steps until the thunderstorms arrive. Under the resentful circumstances of realism I have already devoted considerable of my afternoon to phone calls with doctors and will need to enact capitalism while I have the concentration for it. I may still try to take a walk. I have a sort of pressure headache of movies I managed to watch before I ran completely out of time and would like to talk about even in shallow and unsatisfactory ways. I heard Kaleo's "Way Down We Go" (2015) on WERS and am delighted that the video was shot in the dormant volcano Þríhnúkagígur. I will associate it with earthquake-bound Loki. My brain thought it should dream about nonexistent Alan Garner and what I very much doubt will be the second season of Murderbot (2025–).
beck_liz: The TARDIS in space (DW - TARDIS in Space)
beck_liz ([personal profile] beck_liz) wrote in [community profile] doctor_who_sonic2025-07-08 10:26 am

Tuesday, 8th July 2025

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wychwood: John and Rodney making identical hand gestures (have fun!) (SGA - McShep clicky fingers)
wychwood ([personal profile] wychwood) wrote2025-07-08 06:59 pm

i might get a manned moon flyby for my birthday!

I have indeed played lots of ME:A (up to 34% completion, apparently). Also done many other things but all while lacking any desire to put any effort into documenting them! However, I have visited the Stourbridge Glass Museum with Miss H last Thursday, which felt more art-gallery-ish than really museum-y to me, but did have some lovely glass things. There's a big historic gallery, which has lots of... glasses and vases and things, mostly in categories by technique and with plaques that talk about the local connections and the like, and a big 20th century and contemporary gallery with lots of cool and fun modern art glass, with some glasses and vases and the like as well. They also have a "hot shop" with actual glassmakers working, which was my favourite part. I bought a ladybird suncatcher which is hanging on my window and looking very cheerful even behind the slatted blind.

Then on the Saturday we went to Thinktank, the science museum, to see the Space Vault exhibition and also TWO shows in the planetarium because we are suckers for a planetarium. Unlike the Leicester Space Centre we did not get to vote on any trivia questions, but we did learn about summer stars and also the Artemis project. The exhibition itself was full of space-and-astronaut objects that mostly weren't actually very exciting (a piece of broken insulation! a manual! some gloves!) but they did a good job of contextualising the artefacts and adding audio and visual components (although the audio was frankly not loud enough to actually listen to, given the volume in the rest of the floor) and I enjoyed myself. Although, as with last time I went to Thinktank, it was obscenely hot and humid, so I started dragging fairly quickly; possibly I am cursed.

Otherwise I have mostly been preparing for GRADUATIONS, mostly the part where I have to be on campus every day. I made what eventually turned out to be twelve portions of pasta bake, now largely filling my freezer, to be eaten for lunches etc, and attempted to mentally adjust to the prospect. Today was the first day, and so far I have done one ceremony (the first of the season!); I'm signed up for a second already, so we'll see how it goes...
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mrissa ([personal profile] mrissa) wrote2025-07-08 11:27 am
Entry tags:

What We Are Seeking, by Cameron Reed

 

Review copy provided by the publisher. Also the author is a friend.

 

I love planetary settlement novels, and I love alien communication novels, and Cam has given us both. When John Maraintha arrives on the planet Scythia, he has no particular intentions toward its inhabitants. It was never his intention to be there, and now that he is, he expects to serve as a doctor for the colonists. But he's simultaneously shut out of some parts of Scythian society and drawn into the puzzle of its sentient species and their communications. Their life cycles are so different from humans', but surely this gap can be bridged with goodwill and hard work, even in the scrubby high desert that serves as home for human and alien alike?

 

Science fiction famously touts itself as the literature of alienation; Cameron actually delivers on that here in ways that a lot of the genre is not even trying to do. The layers of alienation--and the layers of connection that can be found between them--are varied and complicated. This book is gentle and subtle, even though there are scenes were John's medical training is put to its bloodiest use. If you're tired of mid-air punching battles as the climax of far too many things, the very personal and very cultural staged climax of What We Are Seeking will be a canteen of water for you in this arid time. Gender, relationship, reproduction, and love mix and mingle in their various forms, some familiar and some new. I expect to be talking about this one for a long time after, and I can't wait for you to be able to join me in that.

alyaza: a gryphon in a nonbinary pride roundel (Default)
alyaza ([personal profile] alyaza) wrote2025-07-08 10:07 am
Entry tags:

they've always been up to some bullshit in California, huh?

the stereotype (and—i guess—reality) of Silicon Valley being hopelessly dependent on its residents making use of stimulants and drugs seems to date surprisingly far back; apparently, they've been up to this trick since one Myron Stolaroff decided it would be a cool idea to give the manufacturing elite of the time a series of really expensive LSD trips:

Wealthy enough by then to go at it alone, [Myron] Stolaroff left Ampex to found the International Foundation for Advanced Studies in Palo Alto, where he “augmented” the engineering elite with LSD. [...] During the first half of the 1960s, the foundation guided hundreds of subjects through personal LSD trips at $500 a pop (around $5,000 in 2022 money), and the reviews were raves. Palo Alto was the glowing center of the bourgeois acid scene, a vindication of drug pioneers such as Timothy Leary, who imagined a trickle-down liberation of the American mind[...]

(evidently, the time-honored tradition of giving your excuse to recreationally do drugs a very important sounding name is just as old!)

as it happens, people really like LSD and the experience it gives them. Stolaroff made a killing off of this idea, as far as i can tell; he also, admittedly, had the bonus of living in a time where this kind of psychonaut experimentation on people in the Silicon Valley millieu led to slightly more productive outcomes than Venmo for ISIS from his clients:

A team including Stolaroff’s deputies Harman and James Fadiman (of Engelbart’s augmentation center at SRI) published their preliminary findings a few years later, summarizing the experiences of professional men who took acid and tried to solve work problems. In addition to the LSD effects we now take for granted (a broadening of context, access to the subconscious, increased empathy), they reported slightly improved work performance across a number of categories. One engineer described the experience thusly: “I began to see an image of the circuit. The gates themselves were little silver cones linked together by lines. I watched this circuit flipping through its paces.” An architect found himself with a perfect design: “I drew the property lines.… Suddenly I saw the finished project. I did some quick calculations.… it would fit on the property and not only that.… it would meet the cost and income requirements.… it would park enough cars.… it met all the requirements.”

tragically, this period also coincided with regulations catching up to this new and interesting drug. the Food and Drug Administration being given power to regulate psychedelics, alongside a general push to criminalize psychedelics (in the case of California led by Ronald Reagan), meant you could no longer do essentially whatever you wanted with the stuff. or, at least, you had to get good at evading the law. thus Stolaroff and his contemporaries were forced to improvise a bit to continue fucking around:

The foundation was at the edge of a breakthrough—a planned visit from some high-placed federal officials—when the politics of LSD shifted, and in 1966 Stolaroff found his clinical research abruptly shut down. Luckily, Palo Alto contained plenty of other well-funded nooks and crannies. Harman got a placement at SRI, too, and he quietly resumed the acid experiments under the auspices of the Alternative Futures Project.

such is life.

it is actually pretty interesting what the Bay Area scene of drug counterculture got up to in the 1960s; people like Stolaroff were not necessarily on the vanguard of recreation with LSD, but as far as public perception went they were doing something very few people had before. (the primary analogue of the time would have probably been Aldous Huxley and his experience with mescaline—which he documented in the book The Doors of Perception—but even then that book seems to have been a mostly British and not American phenomenon.) their subsequent influence on culture was substantial—and on the whole probably a net benefit—even outside of their impact on Silicon Valley. i have heard good things about One Flew Over the Cuckoo's Nest, Ken Kesey's much lauded novel and perhaps the classic artistic manifestation of Bay Area bohemianism at the time. (others might offer Bob Kaufman, another long-time drug aficionado, who was even more avant-garde—embracing impermanence in his art and taking a ten year vow of silence for example—and had the likely-fatal defect of being Black and countercultural in his time.)

but if nothing else, the Silicon Valley manufacturing class and its artistic bohemian types actually used LSD to achieve something less psychotic than "attempted mind control and brainwashing," which had been the primary purview of LSD experimentation before that point. see, the actual vanguard of psychonautical experiment in America (and one of the reasons LSD even became available for mass consumption, since the CIA demanded a ton of its manufacture) was literally MKUltra. you can't take two steps in America without stumbling into something unimaginably fucked up, so it's only natural that our initial innovations in what psychedelics can do to people were wrapped up in Cold War neurosis and vehement anti-communism, with a splash of violating human rights in there too.

as summarized in the book Quick Fixes, MKUltra was

placed under the aegis of the chemical division of the Technical Services Staff, the head of which, Sidney Gottlieb, was handpicked by Dulles for his “zeal and creative imagination.” Gottlieb was given free rein to crack the secrets of the human psyche, and thereby offer America a shortcut to global dominance. Drug experimentation was a crucial part of this work, and after a short time, Gottlieb became convinced that LSD was his miracle drug—perhaps because of his own extensive use of it. Through a variety of “subprojects,” whose heads were often unaware of the true source of their funding, Gottlieb “tested” LSD in scenarios that ranged from the merely criminal to the mind-bendingly macabre.

how this looked practically was—to be blunt—large-scale human experimentation on and abuse of unwilling patients in a manner that, in some cases, would have been indistinguishable from Nazi or Imperial Japanese experimentation on humans during World War II. under Gottlieb, medical practitioners such as Donald Ewen Cameron were given an immense amount of latitude, leading to nonsense like "psychic driving"—in which Cameron used, in a typical example, "administered electroconvulsive shocks [to a patient] that reached thirty to forty times the strength other psychiatrists used. After days of this treatment, the patient was moved to a solitary ward. There he or she was fed LSD and given only minimal amounts of food, water, and oxygen. Cameron fitted patients with helmets equipped with earphones, into which he piped phrases or messages like “My mother hates me,” repeated hundreds of thousands of times."

Kesey, it should be noted, was almost certainly introduced to the muse of LSD (and a plethora of other fun drugs to use recreationally) through MKUltra or at least an immediately adjacent program—he seems to have come away not particularly worse off for it himself, something that clearly cannot be said for many of his contemporaries. additional bloody details seem prudent to spare so as to not have this be a true downer of a blogpost, but if you're in the mood to be mad, Stephen Kinzer's Poisoner in Chief seems to be the magnum opus of Gottlieb's place in this barbarity (and how he parlayed it into a much broader career that included clandestine operations against Cuba and others).

liadt: (Avengers)
liadtbunny ([personal profile] liadt) wrote in [community profile] unconventionalcourtship2025-07-08 04:29 pm
Entry tags:

Unconventional Courtship Masterlist 2025

It's the end of another [community profile] unconventionalcourtship round! Many thanks to all that participated this year. Whether you wrote fic, read fic, signed up, made banners, promoted the fest or fell down the UC Generator rabbit hole your participation was very much appreciated.

Now the fest is over here is this year's masterlist to peruse while you give yourself a pat on the back!

Here is this year's masterlist of fic:
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brightknightie: With Hank and Diana in the lead, the children confront Tiamat. (Other Fandom D&D poster)
Amy ([personal profile] brightknightie) wrote2025-07-08 07:44 am

Sunshine Revival '25 #2: Sentimental

[community profile] sunshine_revival '25 Challenge #2: "Write about anything you feel sentimental about...""

One thing I'm perpetually sentimental about is the cartoon Dungeons & Dragons (1983-1985; three seasons, the last one shorter). It was on the air before and after a significant event in my life, making a kind of continuous bridge through that, though of course I didn't know at the time that this was part of it imprinting itself on my imagination, as much as its superior writing (once you get past the first episodes that go out of their way to explain themselves to TPTB), voice acting (Diana's actress won an Emmy for her role, and of course Eric's actor is renowned), storytelling invitation to imagine yourself right into the scenario, and its sneaky continuity and deep lore in the days before continuity was permitted or lore wanted. And these were the days of bargaining with one's siblings over which Saturday morning cartoon would be viewed when on the one TV in the house, negotiating away blocks of the day to ensure you got the one half-hour that mattered.

Of course while the show was a huge success in the ratings, TPTB never stopped being nervous about it, in that age of moral panic about supposed cults and such supposedly using D&D to recruit/hurt kids, which looks like a pretty quaint worry now, but was indeed quite real (that is, not a real threat, just a real moral panic). That affected the show in many ways, most sad, but one incredibly good. TPTB lived in such fear of the Parents Television Council about this specific show that they mandated that our heroes must never use violence or offensive weapons. What a beautiful challenge to put in front of the writers! Surrounded by shows firing assorted colored lasers from guns, our heroes had to use their brains and empathy to solve puzzles and reconcile misunderstandings! And their very personally symbolic totemic enchanted weapons were highly defensive and evasive -- no swords in our heroes' hands! -- with even Hank's energy bow and Bobby's club aimed always at inanimate obstacles, never at people. (That was one of the mistakes the recent revival comics unfortunately made. They ditched that key constraint and gave Hank and Eric swords, showing they did not really understand.)

The recent D&D Honor Among Thieves movie (which was a good movie and deserved more audience attention) made use of widespread nostalgia for this show with a few background cameo tributes, which led some toys to finally come into existence for the show as cross-marketing with the movie, so many decades after we original viewers would have played with them. Though I'm not a collector, I snapped up the action figures and they bring me delight; the Diana figure is standing at the corner of my monitor right now, and the others are on a shelf I cleared for just them, even buying clear acrylic risers to display them better.

You can find the show on DVD (I have the "red box" version from the 25th anniversary). It ran around the clock on Twitch for an event leading up to the movie's premiere. I believe that it's not officially anywhere streaming now, probably because of complex rights issues (Marvel and Sunbeam made the '80s cartoon; Hasbro now owns D&D; Paramount made the D&D movie; Disney now owns Marvel; etc.). Unofficially, it's on YouTube in both English and Portuguese, and many of the scripts are available online, most of them personally posted by the show's most prolific writer.

mrissa: (Default)
mrissa ([personal profile] mrissa) wrote2025-07-08 09:21 am
Entry tags:

A Mouthful of Dust, by Nghi Vo

 

Review copy provided by the publisher.

This is another of the novellas featuring Cleric Chih and their astonishing memory bird Almost Brilliant, although Almost Brilliant does not get a lot of page time this go-round. This is mainly the story of hunger, desperation, shame, and unquiet ghosts. It's about what depths people might sink to when famine comes--in this story, a famine demon, personified, but the shape of the story won't be unfamiliar if you've read about more mundane famines.

The lines between horror and dark fantasy are as always unclear, but wherever you place A Mouthful of Dust, I recommend only reading it when you're fully prepared for something unrelentingly bleak.

selenak: (Damages by Agsmith01)
selenak ([personal profile] selenak) wrote2025-07-08 04:08 pm
Entry tags:

R.F. Kuang: Yellowface (Book Review)

Very entertaining satiric novel set in and about the publishing industry. Our first person narrator, June (white), is a writer with a debut novel which didn't make a splash and won't even, so her agent tells her, get a paperback edition, in stark contrast to her college friend Athena Liu's (American Chinese) work: Athena has three novels already published, just secured a Netflix deal and celebrates that and finishing the first draft of her newest work with June when she dies an accidental death by pancake. June doesn't just dial 911. She also makes off with Athena's manuscript, about which only she knows, edits, rewrites and publishes it. Presto, success, at last! ! But wait! There's no lack of sharp-eyed foes waiting, social media is truly a jungle, and June might be her own worst enemy....
Very vague spoilers ensue )

The novel has the right kind of length for this story - which is to say, less than 400 pages - so the various buildings up of suspense - will June get away with it being the big, but not the only one - are not drawn out too long, and there's not a gigantic cast of characters. Said characters reminded me of comedy of manners types - very stylized, often types for certain ways of behaviour - fittng the satire format. The only other thing of R. F. Kuang's I'd read before was Poppy War, a fantasy novel of a very different type, so I'm impressed by her range. Otoh, if Poppy War was so grim that I emerged emotionally exhausted and sure I would go through the experience again (while being glad I had done so in the first place), Yellowface felt like a slick writty automaton which you observe once and marvel at its cleverness but don't feel the need to do it again. But I will certainly continue to keep out an eye for this author.
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mrissa ([personal profile] mrissa) wrote2025-07-08 07:55 am
Entry tags:

Queen Demon, by Martha Wells

 

Review copy provided by the publisher.

This is not a stand-alone book. It's a close sequel to Witch King, and the characters and their situation are more thoroughly introduced in that volume. Unless you're a forgetful reader or specifically like to reread whole series when new installments come out, I think Wells gives you enough grounding to just pick this one up, but not enough for this to stand alone--it's not intended to.

If I had had to pick the title of this book, the word "alliances" would have figured heavily in it. I get that the two titles pair well this way, but this is a book substantially about dealing with one's allies--the ones who are definitely, definitely not friends as well as the ones Kai loves dearly who are not actually as reliable as he might have hoped. The other enemies of Hierarchy are not all immediately eager to team up with an actual demon; some of them require convincing that the enemy of their enemy really is their friend (VALID, because that is not a universally true thing). And of course Kai's own nearest and dearest are growing as people and have the growing pains associated with that. If you enjoyed Witch King, you're in for a treat as this is very much a continuation of all the things it was doing.

osprey_archer: (books)
osprey_archer ([personal profile] osprey_archer) wrote2025-07-08 08:34 am

Book Review: Midnight is a Place

Onward in the Aikening! This time [personal profile] littlerhymes and I read Midnight is a Place, which is very loosely related to the Wolves series in that it also features an industrial city named Blastburn. There are no crossover characters, no wolves, no reigning Tudor-Stuarts, and the town has completely different industries. Aiken may have just liked the name Blastburn.

However, I’m glad that it is described as related to the Wolves books, as otherwise we wouldn’t have read it and this book is PEAK gothic. Start with Midnight Court, an old house which is falling into ruin because the crabbed and miserly owner has been selling off the furniture and firing all the servants! Add a lonely orphan boy and his Mysterious Tutor! Throw in a Dickensian carpet factory where the carpet-making process ends with a press that can and will squash children on a regular basis! Stir in one more lonely orphan, this one a small and furious girl from France, and you have yourself a rich and savory gothic stew.

This is merely the set-up. Other gothic elements arrive in due course. For instance: the current owner of Midnight Court won it in a midnight bet at the Hellfire Club! (Not actually called the Hellfire Club, but the same idea.) The lonely orphan boy must make his living by descending into the sewers to find treasure. (The sewers are inhabited by savage rats and thirty to forty feral hogs, because Aiken loves a wild animal attack.) The child-squashing press on the mantelpiece does of course go off.

Overall a delight. The only flaw is that the last chapter is pretty rushed, and introduces a completely random plot thread for two pages which is then summarily dropped. Spoilers for the random plot thread ) But you can just kind of ignore that bit and savor all the gothic everything that precedes it.
conuly: (Default)
conuly ([personal profile] conuly) wrote2025-07-10 02:20 am

I've applied to a bunch of NYC government jobs today

Just went through the website and applied to everything I meet the minimum qualifications for, for what good it may do.

They could, in theory, save my information from one application to the next. They don't do that. They could also not require me to answer "where did you hear about this?" every time - but the joke's on them. "I went to your website and clicked on every job where I meet the minimum qualifications" is not an option, so I've just been lying and saying "hiring event" because that's the first choice. They will get no useful data from me, no thank you!

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conuly ([personal profile] conuly) wrote2025-07-09 08:59 am

The absolute worst thing about the state of the world

is the constant whiplash between panic and popcorn.

Right now I'm hovering over "popcorn" - new political parties? With added drama and infighting? LOL, okay, let's see how that works out for you!

(Look, I need a break from panic now and again, and I will take my fun where it appears.)

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